Sun-Soaked Style with Outback Market Club

Outback Market Club is an emerging label making its mark with playful nods to Aussie culture, brought to life through a sun-soaked, nostalgic aesthetic. From cheeky slogans to classic Australiana motifs, their designs capture a laid-back spirit that feels right at home on both kids’ and adults’ apparel.

We’ve been lucky enough to partner with Outback Market Club on their journey – printing their bold designs across t-shirts, children’s wear, and even some new embroidered pieces. Their creativity, humour and eye for nostalgia make them a dream to work with, and a brilliant example of how a strong brand vision and quality printing can go hand-in-hand.

We sat down with their lovely designer behind the brand Erin to chat about their creative process, what inspires their work, the joys (and quirks) of designing for kids, and what’s next for this vibrant label.

 

 

Can you tell us a little about how Outback Market Club came to life? What inspired you to start the brand?

Honestly, it all started with my son, Olly. We were in the middle of a very lazy homeschooling session—just cutting out pictures from old Australian Geographic magazines, looking at native plants, trees, and wildlife. He was scrapbooking, totally in the zone, when he looked up and said, “Far out, Mum, these would look so sick on a shirt.” And that was it. I basically stole his idea and ran with it!

It was such a simple moment, but it really sparked something. I loved the idea of turning those beautiful, educational visuals into something wearable—something that could carry a message, start a conversation, or just make someone smile. That’s how Outback Market was born: from a bit of curiosity, a love for Aussie nature, and a kid’s brilliant observation.


Your designs have a very distinct Australiana feel – balancing nostalgia, humor and also weaving through a message of conservation. Where does that love for Aussie culture and visuals come from? And do you have any primary sources of inspiration?

Australia is such a vast and biodiverse place, and yet so much of its history—especially the parts that matter most—gets skimmed over in school. I didn’t want my kids growing up without a real understanding of both the beauty of this country and the truth of its past. We’re incredibly lucky to live here, but there’s also a deep, ongoing story—one of resilience and injustice—that Aboriginal people are still living and fighting through today. That awareness is a big part of why I do what I do.

One of my designs has the phrase “Please Drive Carefully, We Live Here Too” on the back, and for me, that line holds a double meaning. It’s about protecting the land and the wildlife, absolutely—but also a reminder that kids live here too. They deserve to take up space, to be loud, to just be. And people really do need to chill out on the roads! So a lot of my inspiration comes from this place of wanting to protect, to educate, and to express love for the country we’re lucky enough to call home. It also comes from being a mum—trying to explain the world to my son in ways he can understand, in ways that feel cool and fun but also truthful, and hopefully resonant for other kids and adults too.

Inspiration hits in waves. I’m always looking for it, and it comes from everywhere—like the time I saw two kangaroos boxing on the side of the road and it sparked the idea for my Kangaroo tee. We spend so much time in our phones that we forget to look up—there’s magic everywhere if you’re paying attention. I also love trawling through op-shops for old books, scrolling Pinterest, rewatching cartoons like Rocket Power, or just thinking back to the clothes and designs I loved as a kid. Fashion doesn’t have to be fast to be exciting—it can be slow, meaningful, and carry a message, too.

 

 

We’re always playing music in The Print Bar offices while we’re working, do you have anything you’re listening to at the moment?

Currently I have John Prine – In Spite Of Ourselves on repeat but I love to multitask so I am also listening to a Tony Robinson book & Mami Onami self-help book, cause everyone deserves to grow & heal.

 

There’s a really cool collage-inspired vibe to your designs. What does your design process look like from idea to final product? 

I’m definitely a hands-on kind of gal—if someone tries to explain something to me just by talking, I’m secretly panicking inside! I need to see it, touch it, play around with it. My process usually starts with cutting out pictures, flicking through old books or magazines, and building mood boards—both physical ones and on Pinterest. I love gathering bits and pieces that spark something, then bringing it all together digitally to see what sticks.

Sometimes it all just clicks, and other times I look up and three hours have disappeared and I’ve gone down a rabbit hole… but honestly, I love that part of it. That messy, playful exploration is where the best ideas often come from. The collage feel you see in the designs really reflects how I work—layered, textured, a bit nostalgic, and always led by curiosity.

 

Designing for children can be its own unique challenge. What do you enjoy most about creating for little ones?

What I love most about designing for kids is their brutal honesty. There’s no sugar-coating it—they either love something or they don’t, and you know pretty quickly which way it’s going! It keeps you grounded and really focused on what matters.

There are so many kids’ brands out there now, but I still believe there’s always room for something original. I wanted to create pieces that are affordable, sustainable, educational and fun—something that feels thoughtful, not just trendy. Have you ever walked through a general store looking for kids’ clothes? It’s a sea of dinosaurs, monster trucks, rainbows, and unicorns. Which is fine! But also—can we get something a little different? At the same time, I’m not about to spend $80 on a shirt my kid’s going to smear food on and outgrow in six months. Outback Market is my way of offering something playful and meaningful, without the hefty price tag or the same old prints.

 

Are there any specific reactions from kids or parents that have stuck with you?

Yes! Honestly, some of the reactions I’ve had from kids and parents are what keep me going. One parent told me their child refuses to take off their shirt—so they have to sneak it into the wash when the kid’s asleep. That absolutely made my day. Another time, a kid jump-scared me at the shops because we were both wearing the same “Pick Up Your Rubbish” tee—he was so excited, and so was I! Moments like that are the best.

Then of course, there’s Olly—my toughest critic. I once made him a shirt in his favourite colour and he told me it was the ugliest thing he’s ever seen. It was… humbling. But also exactly the kind of honesty that makes designing for kids so fun and unpredictable. They’re not pretending to like something just to be polite—when they do love it, you really feel it.

 

You’ve entrusted The Print Bar to bring your designs to life. Do you have any tips for other designers who are just getting started with custom printing?

Just go for it! Ask all the questions—seriously, no question is a dumb one. If you’re just starting out, chances are you have no idea what you’re doing (I definitely didn’t), and the only way to learn is by diving in. Find a company—like The Print Bar—that actually works with you. One that’s invested in your vision, takes pride in the quality, and really cares about the final product.

Starting something new and putting your name out there can feel scary, but honestly? It’s even scarier not giving it a go. What’s the worst that could happen? You learn something. You make something. And you grow from it. That’s the whole point.

 


What’s on the horizon for Outback Market Club? Any new designs, product ranges or exciting projects you can share?

There’s always something brewing! I’m constantly working on new designs, but one idea I’m really excited about is running a workshop where kids and adults! can submit their own drawings, photos, or collages—and then see their creations screen printed onto shirts or totes. I think it would be such a fun way to get more people, especially kids, creating and feeling proud of something they made.

I’d also love to collaborate with other brands that share the same values around creativity, sustainability, and education—so if that’s you, definitely reach out! Outback Market Club is still growing, and there’s so much I want to explore. It’s all about keeping it fun, thoughtful, and community-driven.

 

Are there any dream collabs or markets you’d love to break into next?

Dreams, honestly! I’d love to branch out into beachwear—things like towels/rug, umbrellas—that whole summer lifestyle vibe, but with our Outback Market twist. A kids’ book is also high on the list—something fun and educational using my animal graphics to tell stories or teach little lessons. And stick-on tattoos! That idea pops into my head at least once a week.

I’m also really keen to branch into enamelware— durable pieces for camping or picnics, with our signature designs. I can already picture little mugs and plates featuring the animals from our prints.

One thing that’s really close to my heart is finding a way to give back. I’d love to run a fundraiser or partnership to support Indigenous communities in meaningful ways, but I’m still exploring the best approach—so if anyone has connections or ideas, I’d love to hear from you. I’m always bursting with ideas—it’s just a matter of finding the time and learning how to bring them all to life, one step at a time.

 

If Outback Market Club were an animal, what would it be and why?

Outback Market Club would 100% be a dingo. They’re strong, resilient, adaptable—and they can run fast, which is such a flex. There’s this incredible sense of survival and history tied to them too—dingo bones have been found in the Nullarbor dated back between 3348 and 3081 years old, which just blows my mind. They’ve been part of this land for so long, quietly powerful and deeply rooted.

And on the lighter side—who doesn’t remember “Maybe the dingo ate your baby?” An iconic moment in both Australian news and Seinfeld history. The dingo’s got mystery, humour, history, and grit… it just fits.

 

You can shop the range from Outback Market Club here and keep up to date with them on Instagram here.

 

Pictured below: Owner of Outback Market Club Erin and her son Olly.

 

Threads of Creativity with Artist Lily Adelaide Upton

Creativity knows no bounds for Australian artist Lily Adelaide Upton. With a passion for embroidery, crochet, jewelry making, and painting, Lily’s artistic journey has been shaped by a lifelong need to create. From hand-sewing as a child to mastering a wide range of mediums, she has built a vibrant and deeply personal body of work that celebrates nature, nostalgia, and craft traditions often overlooked in the art world. We sat down with Lily to chat about her inspirations, creative process, and the rewarding challenges of bringing her ideas to life across multiple disciplines. Plus, she shares her experience designing merchandise with The Print Bar and advice for fellow artists looking to expand their creative horizons. You can shop Lily’s range of t-shirts and tote bags, printed by The Print Bar: here.

It’s so impressive how you cover many different mediums as an artist, from embroidery, crocheting, jewelry making and painting – where did you begin?

I started sewing by hand at about age 6 or 7, yarn crafts came quite soon after that. My mum taught me knitting and crochet techniques, and how to use a sewing machine. From there I taught myself various textile disciplines including hand embroidery! I also loved collecting beads and making jewelry as a kid, and have been hoarding boxes of beads ever since. I did visual arts all the way through high school, and have dipped in and out of painting since then. All of the things I make really just stem from feeling this need to create stuff. I’ve always felt like I just need to make things. I love seeing my ideas come to life, and teaching myself new skills and techniques. 

Do you approach painting, embroidery, jewelry making, and crocheting differently, or do they all stem from the same creative process?

It’s hard to pin down a specific creative process for me. It just feels like ideas fly into my head and rattle around in there until I make them. Sometimes I get an idea and want to experiment with it in multiple mediums. For example, my ‘Australian Parrot Appreciation Society’ shirt stems from my love and appreciation for the colourful birds living in such close proximity to us. I just wanted to parrot everything! I have parrot embroideries, my parrot paintings and tees, and even parrot fabric. Sometimes it’s hard to choose which medium I’ll choose to make an idea come to life, and often I just make versions of an idea in lots of mediums!

Which of your art forms do you find the most challenging, and why? Is there a specific art form that feels the most personal or meaningful to you?

I definitely find painting the hardest as I do it the least. I find that I really have to get my eye in to have any success and that takes time which can be frustrating. I love it though and when I get an idea painted and it feels close to the vision I had in my head, it’s very satisfying!    I suppose embroidery is the most meaningful art form to me. It’s how I started my business after all. I think anything I create in a medium that is traditionally ‘women’s work’ feels really personal to me. I often get well meaning comments from people saying that embroidery or crochet is a ‘granny craft’. Whether they mean it in a derogatory way or not, I think the creative things I do that in the past have been practiced predominantly by women, are very much underestimated and underappreciated as an art form. The processes of embroidery, sewing, knitting and crochet are much the same creatively as more traditional art forms like painting. You’re driven by a concept, you have to solve problems to execute your vision, and you’re expressing yourself creatively. I think to shove these practices under the label of ‘craft’ is unfair, and ultimately misogynistic. To persist creating in these ways can be challenging, but I’m proud to create in ways that my mum did and that my grandmas did!

Are there any recurring themes or symbols in your work, regardless of the medium?

I’m definitely driven by the beauty of nature and wanting to encourage people to keep things like native animals and habitat protection in the forefront of their minds. It’s lovely to create designs celebrating nature because it’s all very pretty, but I also do it because I think conserving what we’re so lucky to have is important.   Food is another thing that pops up a lot in my art. I love food and honestly my whole life revolves around it! Food brings people together and evokes feelings of comfort and community for me which is why I love to celebrate it. 

What advice would you give to someone who wants to explore multiple art forms but feels overwhelmed?

I’d say just start and try not to be discouraged when things don’t work out. Annoyingly practice does actually make you better at things so if you want to try lots of things, just keep creating and creating! You will make lots of crap stuff, and even when you find some success you’ll continue to make things you think are bad. It’s all just a part of it! If you haven’t made anything you hate then I encourage you to create more!

Where do you draw inspiration from? 

I’m inspired by my desire to be the happiest version of myself. For me that means expressing myself creatively often. I want to be the person that is proud to have made the dress they’re wearing, or has filled their home with art that’s personal to them. I’m inspired by the feeling of contentment that comes from honoring my creativity and allowing myself to express that.

Do you have any favourite albums or music genres you listen to when you work?

Recently I’ve been loving Sault and Ezra Collective as background music. When I need music to feel motivated I find myself drawn to more upbeat artists like Lauryn Hill or The Kooks. I love a nostalgic listen too so I find myself playing artists like Paul Kelly and Elton John. I love a bit of everything!

Have you ever created a piece that accidentally turned into something completely different from what you planned?

To be honest, no actually! I usually have a very specific idea in my head and will persist with it until I’m satisfied. I can sometimes struggle to go with the flow a bit. I find it really difficult to shake an idea and steer away from a vision!

We’ve been fortunate enough to print your merchandise for you, from T-shirts to tote bags. How have you found creating merchandise and do you have any advice for other artists that wish to have an extra stream of revenue?

I’ve loved working with The Print Bar to add another creative outlet for myself! Creating tee and tote designs has enabled me to create art that’s more accessible for my customers. I make DIY kits for embroidery and crochet, as well as hand made items. Handmade things come at a bit of a higher price, and not everyone likes to DIY, so creating merch has been amazing for providing a product for people who like what I do but don’t necessarily want to spend too much or make something themselves. My advice for other artists is that creating merchandise with The Print Bar is super easy and flexible, so it’s worth just giving it a go. Because the items are made to order there’s little to no risk for artists just wanting to try something like this out, making it a really accessible process for anyone!

Thank you so much for your time and thoughtful answers Lily, it’s our honour to be printing your beautiful merchandise which can be purchased online here.

A Studio Visit with Marisa Mu

One of the most in-demand items at The Print Bar in recent months has been the exclusively designed t-shirt by interdisciplinary artist Maria Mu for Dangerous Females, which debuted at The Other Art Fair. Based in Naarm/Melbourne, Marisa is gearing up to make the move to New York City in the coming months and recently we were lucky enough to pay her a visit in her artists studio in Fitzroy North.

Marisa Mu is known for her striking and expressive artwork, which explores themes of empowerment, identity, and resilience. Drawing from her Hakka Chinese and East Timorese heritage, her art is deeply personal yet universally resonant, weaving together history, activism, and lived experience. Marisa’s designs often carry a strong message, making her the dream partner for this collaboration with Dangerous Females. This exclusive T-shirt captures her signature aesthetic while reinforcing a powerful statement about the importance of female empowerment and standing up against gender based violence.

This initiative is close to our hearts at The Print Bar. By wearing this T-shirt, supporters are not only showcasing incredible art and supporting a local artist but also standing in solidarity with survivors and advocates working to create a safer world.

By wearing this tee you’re not just making a statement, you’re carrying a story and we love this story! We spoke with Marisa recently and had a few burning questions about her inspirations, her practice and what’s next for this incredibly talented artist.

What three words would you use to describe your art and yourself?

Three words that I would use are resilient, colourful and altruistic

 

How would you describe your artmaking process?

I’m an intuitive painter so I don’t actually plan my paintings. I kind of let it just come out of me. Often with the figurative paintings (seen on the Dangerous Females collab tee) the most important thing for me is representation. Having a beautiful balance of body types and also skin tones is really important to me. That’s usually the driving force behind how I approach my works.

 

Who are your biggest influences?

My biggest muse is my mum, she is the absolute light of my life. She passed away when I was 19 and she was a refugee and a self taught painter. A lot of the reasoning behind why I do what I do is for her and also for the matriarchs in my family because they were never given an opportunity to have a sense of a community or even like the ability to do what they wanted to do in their life outside of being confined by the cards that they were dealt. I’ve acknowledged my privilege being Australian and so I’m honouring that. This is for all the matriarchs out there.

 

Where do you find your inspiration?

Fundamentally I find inspiration through what a lot of artists find inspiration through, which is their lived experience. I am a queer woman of colour and so forefronting community is absolutely paramount to me and bringing visibility and agency to people is what drives me to do what I do. I know it’s not a very common thing to see a queer woman of colour leaning into their arts practice, especially with the trajectory that I am going in but I feel like me being honest as I have been and as committed to my practice as I have been… I think it shows, you know?

 

How can we use art to advance society or affect societal issues?

I think what’s going on a lot right now is the censorship of artists and I think that it is just the bare minimum of being a person of integrity whereas whether you are an artist or not, is to do the right thing. So I think that for me, my channel and my voice is through my art whether it’s my painting or my spoken words or advocacy through grassroots events. I think that the message is to do the right thing.

 

Tell us about your upcoming move to NYC?

This has been a lifelong dream of mine. I’m in my mid-30’s now and have been a full time practicing artist for seven years and my entire life has been (working) to be a practicing artist in New York City. I feel like for me coming to a point in my career where I acquired the O1 artist visa – I think for the first time in my life actually I’ve realised how far I’ve come for myself and also you know, in honour of my mum. This is a really exciting chapter that I’m about to embark on and I feel like the community in New York City is unlike anywhere else I’ve been. The diversity is just unbelievable and I feel very seen and safe there and I’m super excited to see what this chapter’s gonna bring for me.

 

What advice would you give your younger self?

That you’ve got it. Yeah.

 

You’ve donated your art to be sold as a T-shirt to raise money for Dangerous Females. How can we support Marisa Mu in return?

The thing that I consistently talk about is to support living artists. Look into artists that you know, you believe in and that you resonate with their story and what they’re doing and if you want to support me, you can find my website or you can support my journey in New York City at my Instagram @marisa.mu

 

How You Can Get Involved

Getting involved is simple. The limited-edition T-shirt is available exclusively through the Dangerous Females online store. Every purchase directly supports Dangerous Females in their mission to combat gender-based violence. Additionally, we encourage supporters to share their photos wearing the T-shirt on social media, tag @marisa.mu, @theprintbar and @dangerousfemales, to amplify the message and spread awareness. Join us in standing with survivors, supporting vital services, and using fashion as a force for good. Shop the exclusive Marisa Mu x Dangerous Females T-shirt today!

 

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